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Title The mechanical muse: the piano, pianism, and piano music, c.1760-1850 / Derek CarewBooks
Name(s) Carew, Derek (Main Author)
Publication Aldershot, Hants, England : Ashgate, c2007
Link(s) Click for electronic access to table of contents
Physical Details xxi, 595 p., [51] p. of plates; ill., music; 25 cm.
Subjects Piano music--18th century--History and criticism
Piano music--19th century--History and criticism
Piano--History
ISBN 0859679691 (hc.)
9780859679695 (hc.)
Classmarks 786.209
Notes Bib. & Index: Includes bibliographical references (p. [557]-563) and index.
Contents: I. Instruments -- 1. History and Background -- 2. Action and Technique -- 3. Stringing -- 4. Sound Modification -- 5. Versatility -- 6. The Piano's Sound -- II. Influences -- 7. Character 1: Background -- 8. Character 2: Emotionalism -- 9. Character 3: Personification -- 10. Character 4: The Past -- 11. Character 5: Other Topics -- 12. Received Forms 1: The Minuet (and Scherzo) -- 13. Received Forms 2: The Rondo -- 14. Received Forms 3: The Solo Sonata -- 15. Received Forms 4: Variations -- 16. Received Forms 5a: The Concerto 1, Background and Presentation of Material -- 17. Received Forms 5b: The Concerto 2, The Solo -- 18. Received Forms 5c: The Concerto 3, Other Movements -- 19. Vernacular 1: General -- 20. Vernacular 2: Inclusion -- 21. Vernacular 3: Regional Styles -- 22. Improvisation 1: General -- 23. Improvisation 2: Types -- III. Integration -- 24. Accompaniment 1a: Chamber Music 1, Classical -- 25. Accompaniment 1b: Chamber Music 2, Romantic.
Contents: 26. Accompaniment 2a: Song 1 -- 27. Accompaniment 2b: Song 2 -- 28. Accompaniment 3: Piano Duet and Duo -- 29. Didacticism and Dissemination -- 30. The Dance.
Summary: "This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music for which it was written. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, directly and indirectly. These included character (individualism), the vernacular ('folk/popular') and creativity (improvisation), all of which are discussed generally and with respect to the music itself. Derek Carew surveys the most important pianistic genres of the period (variations, rondos, and so on), showing how these changed from their received forms into vehicles of Romantic expressiveness. The piano is also looked at in its role as an accompanying instrument. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate."--BOOK JACKET.
Alt. Titles Piano, pianism, and piano music, c.1760-1850
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